Maël Erlenkamp
Bootlegs, Counterfeits and Knock-Offs: From Medieval Artifacts to Digital Culture

Bootlegs, Counterfeits and Knock-Offs: From Medieval Artifacts to Digital Culture

Maël Erlenkamp

This work examines different approaches to bootlegging, including imitation, forgery and recontextualisation.
The practice of bootlegging undermines established value systems and codes of meaning and challenges the concept of an original idea. A series of examples is used to analyse the pitfalls and possibilities inherent in bootlegging and provide insights into the challenges involved. As a realisation, a contemporary approach of its own is shown in order to explore the role of bootlegging in digital culture.

Maël Erlenkamp
Bootlegs, Counterfeits and Knock-Offs: From Medieval Artifacts to Digital Culture
Video Lecture 1080px x 1920px, 16min / Books

Mentorat Theorie: 
James Langdon
Mentorat Praxis: Lex Trüb

Finale 24

Diplome

Diplomand:innen 2024

Manon Babey
Nicola Bernasconi
Tanja Bojanić
Nora Brägger

Maël Erlenkamp

Lea Knutti
Love Liebmann

Ana-Lea Muster

Seba Pellanda
Boris Périsset
Victor Sala del Amo

Fabienne Schneuwly
Gilles Sulzberger
Julia Zehnder

Berner Fachhochschule
Hochschule der Künste Bern
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